/ USA / user rating 6,7 / 10 Star / Rating 257 vote / resume The Wretched is a movie starring John-Paul Howard, Piper Curda, and Jamison Jones. A defiant teenage boy, struggling with his parent's imminent divorce, faces off with a thousand year-old witch, who is living beneath the skin of and / 1 H 35Minute

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The Wretched Free stream.nbcolympics. The wretched free streaming movies online. The Wretched Free streaming sur internet. The Wretched Theatrical release poster Directed by Brett Pierce Drew T. Pierce Produced by Travis Cultreri Willis King Ed Polgardy Lanier Porter Leman Porter Chang Tseng Written by Brett Pierce Drew T. Pierce Starring John-Paul Howard Piper Curda Zarah Mahler Azie Tesfai Jamison Jones Music by Devin Burrows Cinematography Conor Murphy Edited by Terry Yates Production company IFC Midnight Distributed by IFC Films Release date July 19, 2019 ( Fantasia-fest) May 1, 2020 (United States) Running time 96 minutes Country United States Language English Box office $598, 943 [1] The Wretched is a 2019 American supernatural horror film written and directed by Brett Pierce and Drew T. Pierce. Starring John-Paul Howard, Piper Curda, Zarah Mahler, Azie Tesfai, and Jamison Jones, the plot follows a young boy who discovers an evil witch in the nearby woods and must stop it from harming his neighbors. The film premiered at the 2019 Fantasia International Film Festival and was released via digital platforms, VOD and select drive-in theaters on May 1, 2020. Due to the COVID-19 pandemic, The Wretched managed to top the box office in its first four weeks of release. Plot [ edit] In 1985, Megan arrives at the home of the Gambels to babysit their daughter. In the basement, she finds a creature feeding off the little girl. Terrified, she tries to escape but Mr. Gambel purposely shuts the door on her. Megan is presumed killed. A strange sign is shown on the door. In the present, Ben comes to be with his father Liam as his parents are in the middle of divorce. Ben gets a job working at the marina, where he befriends Mallory. He also notices Liam getting close with Sara, another woman who works there. In the woods, Dillion, the son of Liam’s neighbor Abbie, finds a tree with the same symbol seen at the Gambel house. He hears what sounds like Abbie’s voice coming from the tree, calling to him before the real Abbie appears. They bring a buck home that they hit and that night, something crawls out of the buck's corpse. Ben befriends Dillon. That night, Abbie goes to check on Sam in his crib. In his room, she hears a crunching sound and sees blood. She is then attacked. Ben later notices Abbie going into the forest with a child. At work, he learns that Dillon never showed up for sailing lessons. When he goes to Dillon's house, Ty denies having a son. Later, Abbie whispers something demonic in Ty’s ear that makes him bleed. She then takes a shower and her body starts to decay. Ben is suspicious and reads about a witch that is known for possessing people and taking children. He goes into Abbie’s cellar and finds a picture of the family, along with a picture of Mallory and her sister Lily, making him realize that the witch is after Lily next. He rushes to save Lily, but is too late, as the witch has pulled her into her tree. While Ben is with Sara, he notices flowers decaying, and realizes she is possessed by the witch. When she tries to attack, he slashes her arm, but the witch makes it look like he attacked Sara for no reason. He is taken into custody. The officer driving Ben to the station instead attempts to drown him at the beach until a dog attacks. The officer shoots the dog and then himself as he realizes that something is controlling him to kill Ben. Meanwhile, Liam finds the dead bodies of Ty and Abbie at their house. Sara sneaks up to stab Liam but Ben arrives and shoots her. The witch crawls out of Sara’s corpse and goes after Ben, but he gets Liam to safety as their house burns down. Ben suddenly remembers that he has a little brother, Nathan. All this time the witch had made him forget about Nathan. Ben and Mallory go to the tree to rescue their siblings. As Ben rescues Nathan and Lily, Liam arrives and rams his car into the witch. Later, Ben and Mallory kiss goodbye, and she puts a flower in his hair before leaving to give sailing lessons. Ben notices the flower is fake, revealing that the witch is alive and is now possessing Mallory, who is alone with three children. Cast [ edit] John-Paul Howard as Ben Piper Curda as Mallory Zarah Mahler as Abbie Azie Tesfai as Sara Jamison Jones as Liam Kevin Bigley as Ty Gabriela Quezada Bloomgarden as JJ Richard Ellis as Gage Blane Crockarell as Dillon Ross Kidder as Officer Guthrie Kasey Bell as Officer Kopitar Madelynn Stuenkel as The Wretch Production [ edit] Filming took place around Omena and Northport, Michigan, near the Pierces' hometown. [2] [3] Release [ edit] The film premiered at Fantasia International Film Festival on July 19, 2019. [4] [5] It also screened at the Traverse City Film Festival. [3] It was released in select theaters (mainly drive-ins) in the United States on May 1, 2020, as well as video on demand. [6] Reception [ edit] Box office [ edit] Due to limited theater exposure and few films playing due to the COVID-19 pandemic, The Wretched was #1 at the box office in its limited opening weekend, earning $65, 908 from 12 theaters. [7] [8] Playing in 19 theaters, the film finished first again the following weekend with $69, 608, for a 10-day running total of $165, 294. [9] The film remained in first in its third weekend, making $91, 975 from 21 drive-in theaters, [10] then $189, 000 from 59 theaters in its fourth. [11] Critical response [ edit] On Rotten Tomatoes, the film holds an approval rating of 74% based on 81 reviews, with an average rating of 6. 22/10. The website's critics consensus reads: " The Wretched stirs up a savory blend of witch-in-the-woods horror ingredients that should leave genre fans hungry for a second helping from writer-directors Brett and Drew T. " [12] On Metacritic, the film has a weighted average score of 61 out of 100, based on 15 critics, indicating "generally favorable reviews". [13] Jeannette Catsoulis of The New York Times gave the film a generally positive review, writing: "Blessed with shivery setups and freaky effects — here, skin-crawling is literal — The Wretched transforms common familial anxieties into flesh, albeit crepey and creeping. " [14] Geoff Berkshire of the Los Angeles Times wrote: "What the Pierce brothers lack in flavorful storytelling or compelling characters, they almost entirely make up for in good old-fashioned atmosphere and suspense. The Wretched rarely surprises, but it's well-crafted enough to get under your skin anyway, with an able assist from the creepy camerawork of cinematographer Conor Murphy and unsettling score by Devin Burrows. " [15] Writing for, Simon Abrams gave the film 1. 5 out of 4 stars, saying that "unlike Stranger Things, The Wretched is a little too cute about teen angst, and not light enough on its feet to make you want to root for its ostensibly typical adolescent. " [16] References [ edit] ^ "The Wretched (2020)". Box Office Mojo. Retrieved May 26, 2020. ^ ^ a b Julie Hinds (May 23, 2020). "Top movie in America during pandemic is by Detroit brothers and was filmed in Michigan". Detroit Free Press. Retrieved May 24, 2020. ^ "Robert's Fantasia 2019 Review: The Wretched (2019)". The Scariest Things. 20 July 2019. Retrieved May 8, 2020. ^ "Fantasia 2019: Evil Moves in Next Door in the Teaser Trailer & Poster for THE WRETCHED". Daily Dead. 9 July 2019. Retrieved May 8, 2020. ^ " ' The Infiltrators' And 'Deerskin' Set Virtual Premieres, 'The Wretched', 'Arkansas' And 'Driveways' Debut – Specialty Streaming Preview". May 1, 2020. Retrieved May 8, 2020. ^ "The Numbers - Weekend Box Office Chart for May 1, 2020". The Numbers. ^ "Listen: Where Movie Theaters Go From Here". The Atlantic. 9 May 2020. The entirety of the weekend box office right now is like 20 drive-ins open around the country. ^ "The Numbers - Weekend Box Office Chart for May 8, 2020". The Numbers. Retrieved May 11, 2020. ^ "Horror Movie 'The Wretched' Leads Small North American Box Office as Drive-Ins Resurge". Variety. May 17, 2020. Retrieved May 17, 2020. ^ "The Numbers - Weekend Box Office Chart for May 22, 2020". Retrieved May 24, 2020. ^ "The Wretched (2020)". Rotten Tomatoes. Retrieved May 23, 2020. ^ "The Wretched Reviews". Metacritic. Retrieved May 10, 2020. ^ Catsoulis, Jeannette (April 30, 2020). " ' The Wretched' Review: Don't Go Into the Basement". The New York Times. Retrieved 2020-05-05. ^ Geoff Berkshire (May 1, 2020). "Review: 'The Wretched' is a nifty horror film with shades of both Spielberg and Hitchcock". Los Angeles Times. Retrieved May 5, 2020. ^ Abrams, Simon. "The Wretched movie review & film summary (2020)".. Retrieved May 5, 2020. External links [ edit] The Wretched on IMDb.

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From Wikipedia, the free encyclopedia Jump to navigation Jump to search Look up wretched in Wiktionary, the free dictionary. Wretched may refer to: Wretched (punk band) Wretched (doom band) Wretched (metal band), a death metal band from Charlotte The Wretched (film), a 2019 American supernatural horror film "The Wretched", a song by The Word Alive from their album, Deceiver "The Wretched", a song by Attack Attack! from their album, This Means War The Wretched, an English translation of Les Misérables "The Wretched", a song by Nine Inch Nails from their album, The Fragile Wretched and Divine: The Story of the Wild Ones, Black Veil Brides' third studio album.

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The wretched free stream. Critics Consensus The Wretched stirs up a savory blend of witch-in-the-woods horror ingredients that should leave genre fans hungry for a second helping from writer-directors Brett and Drew T. Pierce. 74% TOMATOMETER Total Count: 84 Coming soon Release date: May 1, 2020 Audience Score Ratings: Not yet available The Wretched Ratings & Reviews Explanation The Wretched Videos Photos Movie Info Following his parents' separation, a rebellious teenage boy, Ben, is sent to live with his father for the summer and work at the local marina in order to gain some form of discipline. The idyllic tourist town offers little solace for him, however, as he is forced to deal with the local, privileged teens and his father's new girlfriend. Ben's problems grow increasingly disturbing when he makes a chilling discovery about the family renting the house next door. A malevolent spirit from the woods has taken a hold of the parents and starts playing a sinister game of house, preying upon the children and wiping away any trace of their existence. Ben's suspicions of the supernatural horrors go unheeded and he launches a perilous crusade in order to put an end to the skin-walking witch's reign of terror. Chilling and suspenseful, THE WRETCHED offers a modern update to the retro young hero's mission like that of The Goonies, and promises to make viewers wary of every dark corner they encounter after witnessing its terrifying tale. Rating: NR Genre: Horror Directed By: Written By: In Theaters: May 1, 2020 limited On Disc/Streaming: Runtime: 96 minutes Studio: IFC Midnight Cast News & Interviews for The Wretched Critic Reviews for The Wretched Audience Reviews for The Wretched The Wretched Quotes Movie & TV guides.

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IFC Films' 'The Wretched' IFC Films Over the last 23 years, only Titanic, The Sixth Sense, Avatar, Black Panther and now The Wretched have topped the box office for five consecutive weekends. When there is only one movie pulling in anything resembling “business, ” at least among studios actually reporting grosses, it’s not hard to be the top movie of a given day or weekend. Nonetheless, happenstance, luck and good (or terrible) timing has left IFC’s The Wretched as the closest thing to a box office hit this summer. Brett Pierce and Drew T. Pierce’s throwback horror title The Wretched earned another $181, 000 this weekend in 75 theaters. That’s an expansion from 59 theaters (mostly drive-ins) from last weekend, and a 23. 4% drop from the previous Fri-Sun frame. For what it’s worth, this is the first weekend where the film has dropped from its previous Fri-Sun gross. The Wretched, among a young teen who goes to live with his father during a contentious divorce only to stumble onto potentially supernatural shenanigans, opened on May 1 in just 12 theaters, again mostly drive-ins, with $65, 908. It earned $69, 608 (+5. 6%) in weekend two in 19 theaters, $91, 975 (+32. 1%) in 21 theaters in its third weekend and then $216, 288 over the Fri-Sun portion (+135. 2%) of its $236. 334 Fri-Mon Memorial Day weekend frame in 59 theaters. By this past Thursday, it had earned $659, 760 in 28 days of domestic release. And with this weekend's gross, it’ll end tonight with around $841, 760. No, that’s not exactly a blow-out number, but it’s pretty damn good for an IFC theatrical release. As noted late last week, it’s 12x higher than the over/under $69, 000 gross for How to Build a Girl, which is IFC’s next biggest 2020 offering. If it passes $1. 42 million, it’ll top Red Joan to be bigger than any of IFC’s 2019 and 2020 offerings. A domestic cume above $1. 42 million, which isn’t remotely inevitable, would rank it?? among IFC’s theatrical offerings over the last five years, behind only Weiner ($1. 679 million in 2016), Clouds of Sils Maria ($1. 851 million in 2015), Phoenix ($3 million in 2015), Infinity ($3. 886 million in 2016), The Man Who Knew Infinity ($3. 886 million in 2016), 45 Years ($4. 5 million in 2016) and The Death of Stalin ($8 million in 2018). IFC specializes in arthouse cinema and the vast majority of their films debut concurrently in limited theatrical release and VOD. Yes, you can currently rent The Wretched, a perfectly enjoyable riff on Fright Night and Rear Window by way of Disturbia, for around $7 on most VOD platforms. Indie films don’t tend to play in drive-ins. IFC saw and opening and it paid off. The Wretched has now has achieved a rare feat in topping the weekend box office (among films actually reporting grosses) for the fifth weekend in a row. That has happened just four previous times in 23 years, namely Titanic in 1997/1998, The Sixth Sense in 1999, Avatar in 2009/2010 and Black Panther in 2018. If The Wretched tops next weekend as well, it’ll be just the 16th movie since the 1980’s to top the box office for six or more consecutive weekends. There have been just 15 theatrical releases since the 1980’s that have topped the weekend box office for six or more consecutive weekends. It’ll also be the first six-week champion since Avatar back in 2009/2010. The Fugitive in 1993 and Rocky IV in 1985 also topped their first six consecutive weekends. Two more weekends at the top puts it alongside Avatar, Ghostbusters and On Golden Pond. Porky’s (1982) at seven straight chart-topping weekends. Fatal Attraction (1987) and Back to the Future (1985) held the top spot for eight consecutive weekends. The other record-holders are Good Morning Vietnam and Crocodile Dundee at nine weekends, Home Alone at 12 weekends, Tootsie and Beverly Hills Cop at 13 weekends and Titanic at 15 consecutive weekends at the top of the weekend box office. Ghostbusters topped ten non-consecutive weekends while E. T. did so for 16. For what it’s worth, an uninterrupted reign until at least the weekend of August 7 would be 15 weekends while August 14 would mean 16 weekends. At the moment, The Wretched is the closest thing we’ve got right now to both a “mainstream” movie, an old-school genre flick and a box office hit. Yes, I watched the movie last week and, yes, The Wretched is a simple, polished and generally enjoyable old-school horror movie. It is a riff on the 1970’s and 1980’s horror-infused coming-of-age flicks and its own distinct movie. It’s arguably J. J. Abrams’ version of Steven Spielberg’s Rear Window, since D. Caruso’s (underrated) Disturbia arguably qualifies as “Steven Spielberg’s Rear Window. ” The Wretched adds (as you discover pretty quickly) a supernatural element, and its tone and character arcs feel closer to Super 8 than Fright Night. Had it opened in 1985, it’d probably be a cult favorite among adults who saw it as kids in theaters or on HBO. It’s ironically a summer movie from a time before IP ruled. At best, the coming of age horror flick has four more weekends as the top attraction, presuming A) it remains in theaters and B) nothing gets a “surprise” release between now and Russell Crowe’s Unhinged on July 1. The Solstice Films flick is scheduled to be the first new wide release theatrical engagement. Yes, that assumes theaters open as planned. If that doesn’t happen, and if Chris Nolan’s Tenet doesn’t open as planned on July 17 (followed by Mulan, SpongeBob Movie: Sponge on the Run and Wonder Woman 1984), The Wretched may become a glorified Titanic of its time, albeit with no other movies to steamroll. If nothing else shows up, The Wretched ’s box office reign may go on and on.

The Wretched Free. Indie horror film “ The Wretched ” is inching toward a milestone, eyeing the top spot on box office charts for the fifth weekend in a row. It’s a rare feat that hasn’t been achieved since Marvel’s superhero juggernaut “Black Panther” debuted in 2018. Notching this particular benchmark, in this case, comes with a pretty big caveat; “The Wretched” is one of the only movies on box office charts. But its relative dominance of a sparse field highlights what has become a winning strategy for IFC Films, the specialty label that behind the supernatural thriller. At a time when Hollywood studios have delayed, amended, or scrapped plans to debut major movies, IFC Films has decided to keep release dates and continue rolling out films as scheduled. It’s allowed the company to carve out a prime position at the few moviegoing venues — most of which are drive-in theaters — that have been able to safely remain open during the coronavirus outbreak. The unusual circumstances have fostered something of an unlikely relationship. Usually this time of year marks the start of summer movie season, offering up the big-budget comic book adventures or sequels in popular franchises that drive-in theaters rely on to draw sizable crowds. Drive-ins have still been playing classics like “Jaws” and movies that opened before the pandemic hit, such as Disney’s animated film “Onward” and “The Invisible Man” from Universal and Blumhouse. But for fresh content, cinema owners have increasingly turned to indie titles that typically populate arthouses. “Drive-ins traditionally play tentpoles, ” notes IFC Films co-president Lisa Schwartz. “The integration has been a nice moment because it made sense on both sides. ” Since March, IFC Films has released a handful of new movies, including “The Trip to Greece, ” psychological thriller “Swallow, ” and “How to Build a Girl” with Beanie Feldstein. It has also dug into its library, re-releasing past hits like “Sleeping With Other People” and “Rust Creek” to make up double features. Because their films cost less to make than most studio movies, it’s less of a financial risk to keep the content coming, even though traditional brick-and-mortar theaters across the country have been closed for months. So far, those titles have collected over $750, 000 from less than a dozen seasonal drive-ins. The bulk of those ticket sales have come from “The Wretched, ” which has earned $660, 000 to date. For a low-budget movie, that’s a solid result in any climate. In fact, in any other time, it would rank among the studio’s biggest earners of the year. And IFC films have been available to rent at home the whole time — going against conventional wisdom that streaming services like Netflix, Hulu and Disney Plus will keep audiences on their couches. In the coming weeks, other studios will follow a similar path for movies like musical drama “The High Note” and Andy Samberg’s romantic comedy “Palm Springs” — both of which are simultaneously launching on digital rental services and in drive-in theaters that are open. But the increased competition might not be a problem for IFC. At first, only a small number of drive-ins were able serve customers. Now that some states are beginning to relax stay-at-home measures, over 150 outdoor moviegoing spaces have gotten permission from government officials to open. “There’s a window of opportunity for success, and IFC is taking that risk and innovating, ” said Jeff Bock, a box office analyst with Exhibitor Relations. “A studio like Warner Bros. can’t take chances like that because they’d lose money, even if drive-ins were packed. There’s not much expected for a film like ‘The Wretched. ’ If it gets to $1 million, it’s like another studio getting to $100 million. ” It’s taken some recalibration and innovation to get near those box office receipts. Smaller studios rely heavily on mom-and-pop movie theaters, whose owners come to learn and help cultivate the taste of their clientele, to get the word out about a new movie. They can’t afford the same robust marketing spends that greet Marvel or James Bond films. For promotional efforts tied to “The Wreched, ” IFC leaned heavily into the old-school nature of outdoor moviegoing. But they’ve found that chatter throughout the community continues to be one of the surest ways to spread the gospel. “We pivoted the marketing in cool retro drive-in ads. That was a fun way to get the word out, ” Arianna Bocco, the executive VP of acquisitions and production at IFC Films, said. “A lot of it has been through organic word of mouth because it affects the people who live there. ” One of IFC’s new marketing posters for “The Wretched. ” IFC has also made sure their filmmakers and actors have been closely involved with the process, a step that helps ensure creative talent on both sides of the camera that their films will get the same proper love and attention from the studio that would greet a traditional theatrical release. “Filmmakers have been really amazing to say to us, ‘We have the confidence you’ll get the film out there, '” Bocco said. “That’s a hard thing for filmmakers to say because it’s such an uncertain time. ” Even before cinemas across the country were forced to close to help stop the spread of the coronavirus, many indie movies had been struggling to make money in theaters. In 2019, the gap between commercial winners and losers widened dramatically. Some experts chalk that up to the explosion in popularity of streaming services, which have been a haven for the kind of comedies and dramas that aren’t getting their due on the big screen. So then it’s even more notable, executives point out, that they’ve been able to make such an impression on moviegoers during this time. “It speaks to people’s desire and commitment to wanting a social shared experience, ” said Schwartz. “To see everything old become new again has been a kick. ” Adds Bocco, “It’s really unprecedented that an indie horror film [like ‘The Wreched’] could do that kind of gross solely from drive-ins. It would have taken a long time in hardtop theaters. It’s really kept going and strengthening. We were able to expand [the theater count], which we didn’t expect. ” IFC Films is aware that drive-ins could be a short-term solution due to the unique circumstances of the pandemic. It’s a success story that may not last in a post-COVID environment. “Like everything else, it remains to be seen how much people will go in the future, ” Bocco said. “That’s the crazy part of this whole situation is just the uncertainty. ” “The Wretched” leads drive-in movie theater marquees. IFC Films.

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